Monday, December 31, 2007

Philip Glass - Itaipu & The Canyon (1993)



The Light and Itaipu originated as Glass's response both to nature and to a modern technological wonder. Noting in an interview that his music has always been strongly programmatic and that program music arose as a response to nature, Glass subsequently embarked on an analogous series of symphonically conceived "portraits of nature" similar to his "portrait operas" (Einstein on the Beach, Satyagraha, concerned with the life of Mahatma Gandhi, and Akhnaten). The result is a vivid portrait of musical evocations that merge and metamorphose as the music sweeps toward its destination, often reinforced and contrasted in unexpected ways, by summoning up a body of thoughts, mental pictures, and attitudes.

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